The first track, "Everybody's Fine", starts off with a skit. ONLY negative critique: Sky should have let the skit be it's own track. It's a dope skit. Actually, it's very important to the album as a whole. But when you are reviewing the album (I also listen to albums on repeat even if I ain't reviewing them) and have to hear it 50+ times, you wish you could get right to the song. Like Netflix, I want to skip the intro credits. That's it. Back to the review. The skit is a conversation between two men in early 1982. You find out that one man is Greg, Skyzoo's father. Skyzoo's real name is Greg Skyler Taylor. Papa Greg is telling his friend (Tray Duce?) that he wants to leave the street game. Greg gets nothing but love and support from his friend. The friend tells Greg that he'll will be there for whatever he needs. After the skit we get into the actual track. Skyzoo hits us with one of his most beautifully complex verses I've ever heard. His signature cool flow rides the predominantly drum heavy instrumental. Where Skyzoo elevates his lyrical style is with the repetition of his rhyming patterns. Sky paints juxtaposing images that compliment each other like:
Or you in a hall, up on the wall/
With department of corrections letters hovered up over where your name is/
Or you by the door, cap and gown to the floor/
8 years of proof hovered up over where your name sits
The final track, "Honor Amongst Thieves", follows a more typical Hip Hop song structure. Instead of single verse/no hook/repeat same verse (like "Everybody's Fine), we get the verse/hook/verse layout. The song ends with a skit (more like a recording of Skyzoo telling a story about his family at a listening party, I assume). By the way, this is another completely acceptable option. Instead of having a skit on its own track, it can start at the end of the song. The first part of the song repeats the question "do you believe" and provides different scenarios. The second verse is an autobiography that focuses on Skyzoo and his father. The speech that Sky gives after the song basically mirrors the story he tells. His youth was a Boyz n the Hood parallel, where he lived with his mother until he reached adolescence. After that he moved in with his father to learn "how to be a man". This song brings the album full circle. The first thing you hear at the start of the album is a skit reenacting the moment Skyzoo's father decided to leave the street once he found out he was having a son. The album ends with Sky speaking in present day, telling a story about being raised by his mother and father. Even though they were different households, his parents made sure to give young Sky the upbringing that was rare in his environment.
#Blackexcellence. This hashtag has been at its peak this month. It is not by accident that Skyzoo decided to drop In Celebration of Us during Black History month. About the album, Skyzoo comments, "Conceptually, this is Ta-nehisi Coates meets Chappelle’s Show, The Autobiography of Malcolm X meets Black-ish, the case of Sandra Bland meets the birth of Air Jordans". As I mentioned above, Skyzoo keeps his subject matter relevant. He talks about police brutality, the street game, appropriation, love, family, relationships, gentrification, politics, black on black violence, death and religion. This featureless project (from an emcee standpoint) is probably one of his most complex works in his ever expanding catalog. Skyzoo once again comes correct. His lyrical ability is one that garners a certain amount of expectation. We EXPECT top notch production and bars. The Brooklyn emcee is product of NY Hip Hop but evolved into the next iteration of what you think of when you think "NY emcee". Lyrics are at the forefront. And the instrumentals harken back to the Golden Era NY sound. At this point it is hard to image Skyzoo missing any of his shots. In my humble opinion, In Celebration of Us needs to be in the mix when talking about #blackexcellence.
Peep the whole album below.
